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Aaron Rossini in the Dayton Daily News

March 9, 2014 Fault Line Theatre
Photo by Ryan Stadler

Photo by Ryan Stadler

Co-Artistic Director and Co-Founder of Fault Line Theatre Aaron Rossini was recently profiled in the Dayton Daily News in anticipation of the world premier of Beau Willimon's Breathing Time, which opens on March 21!

Miami Grad Discusses His Emerging NYC Troupe

By Russell Florence Jr.

Team will present play by ‘House of Cards’ producer.

Miami University alum Aaron Rossini is excited about the evolution of Fault Line Theatre, the Off-Off-Broadway company he co-founded that will present the highly anticipated world premiere of Beau Willimon’s dramedy “Breathing Time” beginning next week at New York’s Teatro Iati.

In 2010, a year after completing his M.F.A. in acting from Brown University/Trinity Repertory, Rossini, raised in Pittsburgh, Pa., joined forces with fellow Brown/ Trinity Rep actor Craig Wesley Divino and Trinity Rep set designer Tristan Jeffers to create a troupe dedicated to socially relevant, character-driven plays.

Inspiration arose from the sheer artistic possibilities of producing work grounded in their collaborative, independent vision.

“As an actor, designer or director, you’re frequently doing work that other people have asked you to do, but there’s an element of control you feed by being a hired artist,” said Rossini, 32. “In other words, you’re working on something within the construct of what somebody else wants.”

“Somebody has chosen you, which is great, but you’re not 100 percent making artistic choices on your own behalf. We really wanted to create a container for us to work on our favorite material in the way we desired. We want to break down the hierarchy of American theater to be more egalitarian. We want to create a more detailed conversation with our artists.”

In addition to its inaugural production of “Doctor Faustus,” Fault Line’s programming has included “Frogs,” “From The Same Cloth,” “The Faire” and last season’s critically acclaimed, award-winning “From White Plains.” Last summer, Rossini attended a workshop of “Breathing Time” and immediately knew it would be perfect for the organization.

He was especially drawn to its absorbing language, which is a strong suit of the prolific Willimon, the winner of the 2005 Dayton Playhouse FutureFest for “Farragut North.”

Willimon notably received Academy Award and Golden Globe nominations for his screenplay for “The Ides of March” (based on “Farragut North”) and Emmy and Golden Globe nominations as executive producer/writer of Netflix’s hit political drama “House of Cards.”

“Breathing Time” spotlights the universality of connection specifically concerning a brother, sister, husband and wife over the course of two days in NYC.

“Beau has an unbelievable sense for dialogue,” said Rossini, a Shakespeare fan who also admires playwrights Annie Baker, Martin McDonagh and David Rabe. “Beau is able to be both natural and theatrical at the same time. It sounds like real human beings speaking but they’re not speaking prosaically.”

“You can’t help but be compelled by the characters in the play. He makes something so arbitrary, particularly sharing an office with someone, have such consequence and cost. He really creates a lovely existential meditation on relationships in this striking play.”

Rossini, who received his B,F.A. in acting in 2003 from Miami, where he was featured in such shows as “Exit the King” and “Venus,” also says he values the university instilling a strong work ethic, which hasn’t diminished while serving as Fault Line’s co-artistic director.

“I was very focused on going to Miami and was so happy I got in,” he said. “Talent is important but hard work and perseverance is what’s required, Hard work and discipline helps you the most artistically. You have to work harder than your peers and colleagues.”

“I love my job. It’s a pleasure to rehearse, fundraise, manage the box office, and all the other elements necessary when you’re running a small theater company. You have to wear many hats but all are in support of telling great stories. But being happy with your job makes working hard very easy.”

Fault Line is still in search of a permanent home and would like to attract more seasoned playwrights, but Rossini firmly feels the emerging company is moving in the right direction as audiences become more aware and supportive of its mission,

“We’re starting to feel momentum,” he said. “Every year we’re improving and expanding at producing and getting better at fundraising and establishing a more personal connection to our audience.”

“Breathing Time” will be performed March 21- April 13 at New York’s Teatro Iati, 64 E. Fourth St., Manhattan. For tickets, call SmartTix at 1-866-527-5376 or visit www.smarttix.com. For more information, visit www.faultlinetheatre.org

View original article.

Tags Breathing Time, Press

The End of The Faire

March 8, 2014 Fault Line Theatre
Photo by Jacob J. Goldberg

Photo by Jacob J. Goldberg

Today we have our first guest post on the blog! The Faire has come and gone.  And what an amazing adventure it’s been.  Our good friend Valerie Bondura saw the show on opening and closing night, so we asked her to share her thoughts on being an audience member at both the beginning and the end of a run.

Seeing a show on opening night is a special kind of experience. Not
only are you excited to be experiencing this story for the first time,
but you have the added excitement of sharing that unique moment with
the actors. Because despite countless hours spent rehearsing and
preparing, there is something irreplicable that occurs when the
performers and the audience meet. Once everyone has entered that
theatre for the first time, and the actors have appeared on stage,
each moment is a new mutual creation in which everyone’s experience
depends on everyone else in the room. The shows that Fault Line
Theatre consistently puts up are the kind that pull you out of your
seat and engage you before you even know what is going on. The actors
draw you in, and the audience does the same for them. To be there for
the very beginning of that type of process, on opening night, is truly
special.

As we all filed in to our seats on opening night of The Faire, the
energy in the theatre was palpable. People whispered excitedly, old
friends recognized one another and exchanged hugs, and all of us
looked forward to the performance we were about to see. Suddenly, as
though just another part of the general chatter, Olivier (played by
Grant Krause) stumbled on to the stage and added his voice to the din.
Though a hush fell over the audience, we never lost that sense of
being immersed in the show that that initial entrance imparted.
Nothing in the theatre had really changed, but suddenly we had these
new people to listen to, to laugh with, to react to. We were all
backstage together at a Renaissance Faire, complicit in all the
conversations the characters were having. That shared intimacy is, of
course, what made The Faire so funny. We were all in on the secrets
together.

I had the chance to get in on the fun one more time on closing night
of The Faire. This time, walking in to the theatre, I was looking
forward to spending more time with these wonderful characters, who I
felt I had developed a bit of a rapport with. I worried for Olivier’s
addictive habits, felt for Angela’s artistic aspirations, wanted to
grab one of Ursula’s churros (and give her a hug), longed to cheer at
one of Drake’s fencing matches, and…well, with Tilly, I just wanted
to sit her down and make her take a few deep breaths. The actors gave
confident performances, and the audience responded in kind.

Maybe it was just because the last monologue is the most poignant, but
near the end of the show I thought I felt a collective nostalgia
settle in over the theatre, all of us realizing that this time
together was ending. The effervescence and promise of opening night
were replaced by a pride in a story well told and a solidarity that
can only come from the sharing of a performance. I feel fortunate to
have gotten to experience both sides of The Faire. It really
emphasized to me the two great things about theatre: the ephemerality
of an individual show and the strength of the intimacy it can create.
For a show is different each night it is performed, but the feeling of
the relationship created in that temporary space lasts long after the
curtain closes.

Valerie Bondura is a PhD student in Archaeology at Columbia University.

Tags The Faire

Best of 2013 - The Results Are In

March 6, 2014 Fault Line Theatre
Image by  Svilen.milev (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons

Image by  Svilen.milev (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons

For those keeping track on our little Oscar pool here in the Fault Line Theatre communications department, the results are in! The winners have been given their prizes and the losers are left with only shame. We hope you enjoyed our “Best of 2013″ series of blog posts!  Without any further delay:

4th Place
Adam Suritz
7 points

3rd Place
John Racioppo
14 points

2nd Place
Matt Clevy
16

And the winner is….

1st Place
Our fearless intern, Jason Modica
With an impressive 19 points!

How’d you do? Let us know on Facebook.

Best of 2013 - Our Oscar Picks

March 2, 2014 Fault Line Theatre
Image courtesy of Coyau (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

Image courtesy of Coyau (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

Tonight’s the night!  In honor of the occasion, the Fault Line Theatre communications department has put in our picks for who we think will win tonight in the last of our “Best of 2013″ series of blog posts… Share your thoughts with us on Facebook and check back to see which one of us will be the big winner!

Best Picture
12 Years a Slave - Matt/John
American Hustle – Adam
Captain Phillips
Dallas Buyers Club
Gravity – 
Jason
Her
Nebraska
Philomena
The Wolf of Wall Street

Best Actor
Christian Bale (American Hustle)
Bruce Dern (Nebraska)
Leonardo DiCaprio (Wolf of Wall Street) – Adam
Chiwetel Ejiofor (12 Years a Slave)
Matthew McConaughey (Dallas Buyers Club) – Jason/Matt/John

Best Actress
Amy Adams (American Hustle) – Adam
Cate Blanchett (Blue Jasmine) – Jason/Matt/John
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Meryl Streep (August: Osage County)

Best Supporting Actor
Barkhad Abdi (Captain Phillips)
Bradley Cooper (American Hustle)
Michael Fassbender (12 Years a Slave) – John
Jonah Hill (Wolf of Wall Street) – Adam
Jared Leto (Dallas Buyers Club) – Jason/Matt

Best Supporting Actress
Jennifer Lawrence (American Hustle)
Lupita Nyong’o (12 Years a Slave) – Jason/Matt/John
Julia Roberts (August: Osage County) – Adam
June Squibb (Nebraska)
Sally Hawkins (Blue Jasmine)

Best Director
Martin Scorsese (The Wolf of Wall Street) 
David O. Russell (American Hustle) – Adam
Alfonso Cuarón (Gravity) – Jason/Matt/John
Alexander Payne (Nebraska)
Steve McQueen (12 Years a Slave)

Best Adapted Screenplay
John Ridley (12 Years a Slave) – Jason/Adam/Matt/John
Julie Delpy, Ethan Hawke & Richard Linklater (Before Midnight)
Terence Winter (The Wolf of Wall Street)
Billy Ray (Captain Phillips)
Steve Coogan and Jeff Pope (Philomena)

Best Original Screenplay
David O. Russell and Eric Singer (American Hustle) – Adam
Bob Nelson (Nebraska)
Spike Jonze (Her) – Jason/Matt/John
Craig Borten & Melisa Wallack (Dallas Buyers Club)
Woody Allen (Blue Jasmine)

Best Foreign Film
Denmark, The Hunt - Jason
Belgium, The Broken Circle Breakdown – Matt
Italy, The Great Beauty – Adam/John
Palestine, Omar
Cambodia, The Missing Picture

Best Documentary Feature
20 Feet from Stardom
The Act of Killing – Matt/John
Dirty Wars
The Square – 
Adam
Cutie and the Boxer - Jason

Best Animated Feature
The Wind Rises – John
Frozen – Jason/Adam/Matt
Despicable Me 2
The Croods
Ernest & Celestine

Film Editing
American Hustle
Captain Phillips
Dallas Buyers Club – 
Matt
Gravity – Adam/Jason
12 Years a Slave – John

Best Song
“Alone Yet Not Alone” (Alone Yet Not Alone)
“Happy” (Despicable Me 2)
“Let It Go” (Frozen) – Jason/Adam/Matt/John
“The Moon Song” (Her)
“Ordinary Love” (Mandela: Long Walk to Freedom)

Best Original Score
John Williams (The Book Thief) – Adam
Steven Price (Gravity) – Jason/John
Alexandre Desplat (Philomena)
Thomas Newman (Saving Mr. Banks)
William Butler and Owen Pallett (Her) – Matt

Best Cinematography
Philippe Le Sourd (The Grandmaster)
Emmanuel Lubezki (Gravity) – Jason/Adam/Matt
Bruno Delbonnel (Inside Llewyn Davis)
Roger Deakins (Prisoners) – John
Phedon Papamichael (Nebraska)

Costume Design
American Hustle – Jason
The Grandmaster
The Great Gatsby – Matt/John
The Invisible Woman
12 Years A Slave – Adam

Makeup and Hairstyling
The Lone Ranger
Dallas Buyers Club – Adam/John/Jason
Jackass Presents: Bad Grandpa – Matt

Production Design
American Hustle
Gravity – Adam
The Great Gatsby – Jason/John
Her – Matt
12 Years a Slave

Sound Editing
All is Lost – John
Captain Phillips – Adam
Gravity – Jason/Matt
The Hobbit: The Desolation of Smaug
Lone Survivor

Sound Mixing
Captain Phillips
Gravity – Jason/Matt/John
The Hobbit: The Desolation of Smaug – Adam
Lone Survivor
Inside Llewyn Davis

Visual Effects
Gravity – Jason/Adam/Matt/John
The Hobbit: The Desolation of Smaug
Iron Man 3
The Lone Ranger
Star Trek Into Darkness

Short Film, Live Action
Aquel No Era Yo (That Wasn’t Me)
Avant Que De Tout Perdre (Just Before Losing Everything) – Adam
Helium - Jason
Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?) – John
The Voorman Problem - Matt

Short Film, Animated
Feral – Adam/John
Get a Horse!
Mr. Hublot - Matt
Possessions
Room on the Broom - Jason

Documentary Short Subject
CaveDigger – Adam/John
Facing Fear - Matt
Karama Has No Walls
The Lady in Number 6: Music Saved My Life
Prison Terminal: The Last Days of Private Jack Hall - Jason

Breathing Time cast

February 27, 2014 Fault Line Theatre

Ladies and gentlemen, boys and girls… I am absolutely thrilled to announce the incredibly talented cast for Fault Line Theatre’s upcoming production of Breathing Time by Beau Willimon (House of Cards, The Ides of March, and Farragut North):

  • Whitney Conkling – Karen
  • Craig Wesley Divino – Jack
  • Lee Dolson – Mike
  • John Racioppo – Waiter
  • Shannon Marie Sullivan – Denise
  • Molly Thomas – Julie

We’ve also reassembled the design team from The Faire which includes:

  • Aaron Rossini – Director
  • Tristan Jeffers – Set Design
  • John Eckert – Lighting Design
  • Chad Raines – Sound Design
  • Izzy Fields – Costume Design

Yesterday was already the first day of rehearsals!  Keep checking out our Facebook page for behind the scenes pictures and more regular updates from our lovely intern Jason.

Tags Breathing Time

What We're Seeing: Love and Information

February 24, 2014 Fault Line Theatre
Image courtesy of New York Theatre Workshop

Image courtesy of New York Theatre Workshop

We’ve had the good fortune of spending quite a bit of time next door to the lovely people at New York Theatre Workshop during our production of The Faire.  Their current show (which is being presented at the Minetta Lane Theatre, not their usual downtown space) is something really special. What’s more, our dear friend and frequent collaborator with Fault Line Theatre, Susannah Flood, puts on a brilliant performance that can’t be missed. Buy your tickets now and we’ll see you there!

February 4 – April 6, 2014.
Minetta Lane Theatre
18-22 Minetta Lane (between MacDougal Street and Sixth Avenue)
New York, NY 10012

Buy Tickets

A LITTLE ABOUT THE PLAY

Renowned playwright Caryl Churchill returns for her seventh American premiere at New York Theatre Workshop (which have included productions of Far Away and A Number) with a theatrical kaleidoscope exploring more than a hundred characters as they try to make sense of what they find out.

Churchill pairs with award-winning director James Macdonald (A Number, Blasted, Top Girls) to create what The Guardian heralds as the “play that everyone should see.” LOVE AND INFORMATION was first produced in London at the Royal Court Theatre in 2012. This production reaffirms Churchill’s continued ability to reinvent herself as a playwright and keep her finger on the pulse of contemporary life and features her signature wit, candor and nimble use of language.

CAST:

  • Phillip James Brannon
  • Randy Danson
  • Susannah Flood
  • Noah Galvin
  • Jennifer Ikeda
  • Karen Kandel
  • Irene Sofia Lucio
  • Nate Miller
  • Kellie Overbey
  • Adante Power
  • John Procaccino
  • Lucas Caleb Rooney
  • Maria Tucci
  • James Waterston
  • Zoë Winters

PRODUCTION TEAM:

  • Playwright - Caryl Churchill
  • Director - James Macdonald
  • Scenic design - Miriam Buether
  • Lightning design - Peter Mumford
  • Costume design - Gabriel Berry
  • Sound design - Christopher Shutt
  • Musical director - David Dabbon 
  • Vocal coach - Kate Wilson
  • Production Stage Manager - Christine Catti
Tags What We're Seeing

Audiences Weigh In

February 22, 2014 Fault Line Theatre
Jenny Seastone, Rachel Christopher, Kelsey Kurz, and Grant R. Krause in The Faire (photo by Jacob J. Goldberg)

Jenny Seastone, Rachel Christopher, Kelsey Kurz, and Grant R. Krause in The Faire (photo by Jacob J. Goldberg)

Only one more week left to see The Faire!  After each show, we’ve been asking audience members what they thought about the production. The response has been overwhelmingly positive and it’s been both informative and exciting to hear what people are connecting to. Check out what some audience members had to say about the show:

  • “The cast shines and the direction by Aaron Rossini manages to both highlight the comedy while finding the human truth underneath.”
  • “I enjoyed the comedy and was moved by the exploration of problems we can find in our own lives. Beautifully done on all fronts.”
  • “Great writing, terrific performances, pitch perfect production values. Crystal Finn is an exciting new voice in the theater, and I can’t wait to see what she does next!”
  • “Loved it! Wonderfully acted, wonderful play, delightful time all around.”
  • “It was a fun show that had me laughing from the beginning.”
  • “The dialog was witty and intelligent, the world was believable, and the performances were genuine.”

Come join the fun! Get your tickets before it’s too late!  Use discount code FLT10 for $10 off tickets.

Tags The Faire

Remember From White Plains?

February 15, 2014 Fault Line Theatre
Image courtesy of Xavier University

Image courtesy of Xavier University

Remember From White Plains?  Our show from last season that premiered at La Tea Theatre before moving off-Broadway to the Studio Theatre in The Pershing Square Signature Center in NYC?

Well, we’re happy to report, that the show is still alive and well.  From White Plains is enjoying quite a successful regional life. Already performed at the Kitchen Theatre in Ithaca, NY (a direct transplant featuring the original cast and crew) and in Boston, From White Plains is currently enjoying a critically acclaimed run in Chicago.  Last, but certainly not least, co-artistic director of Fault Line Theatre Craig Wesley Divino (who played John in the original production) directed a production of the show at Xavier University that opened yesterday.

Congrats Craig on a successful opening!

Tags From White Plains

Opening Night

February 12, 2014 Fault Line Theatre
Jenny Seastone, Kelsey Kurz, and Grant R. Krause in The Faire (photo by Jacob J. Goldberg)

Jenny Seastone, Kelsey Kurz, and Grant R. Krause in The Faire (photo by Jacob J. Goldberg)

Opening night of The Faire was an absolute hit! This past Sunday, 4th Street Theatre was packed to the brim with family, friends, and collaborators of Fault Line Theatre. This is the 7th opening night in our young career (and the 8th will be right around the corner!). I’ve been with Fault Line Theatre for almost 3 years now; I was barely 21 when I first started as an intern. When I started, there were only 5 core members. Our company has now grown to 8, not to mention the vast array of friends and collaborators we turn to show after show. In a way, Fault Line Theatre has been one of the few constants in our artistic lives. Amidst this chaotic and unpredictable business, Fault Line Theatre has been an oasis. A place we can always put our trust in.

Forgive the emotions… Back to business!

Show #2 of 20 goes into the books this evening at 8pm.  Use discount code HUMP22 for half-off tickets tonight only!

- John Racioppo

Tags The Faire

Get Pumped!

February 7, 2014 Fault Line Theatre
Amanda Sykes in The Faire (photo by Jacob J. Goldberg)

Amanda Sykes in The Faire (photo by Jacob J. Goldberg)

The Faire previews begin tomorrow!  It’s been over a year in the making and we can’t wait to hit the stage tomorrow night!

To celebrate, we’re offering $20 tickets to any preview performance (Friday @ 8pm, Saturday @ 3pm and 8pm) with the discount code PRE20.

Get pumped!

Tags The Faire
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