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Fault Line Theatre

520 8th Avenue, Suite 318
New York, NY, 10018
646-801-1085

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Fault Line Theatre

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What We're Seeing: Yentl

January 12, 2014 Fault Line Theatre
Image courtesy of The Cleveland Playhouse

Image courtesy of The Cleveland Playhouse

Fault Line Theatre Artistic Associate Michael Perlman has been off in Ohio directing a production of Yentl with The Cleveland Playhouse.  The production stars, friend of Fault Line Theatre, Rebecca Gibel (Frogs) as the title character along with a strong cast of 16 other actors. If you find yourself in Cleveland, this is a must-see!

January 10 – February 2, 2014.
Allen Theatre at Playhouse Square
1407 Euclid Avenue
Cleveland, OH 44115

Buy Tickets

A LITTLE ABOUT THE PLAY

A young woman defies convention and the laws of her people to fulfill her dream. Disguised as a young man, she becomes a brilliant student — and the most wanted bachelor in town. Yentl is a startlingly modern love story, and a smart, witty comedy that will win your heart.

Yentl contains mature themes and nudity.

CAST:

  • Ben Mehl
  • Bernard Bygott
  • Bob Abelman
  • Bonnie Black
  • Christa Meyers
  • Donald Carrier
  • Dorothy Silver
  • Drew Derek
  • Marc Moritz
  • Mitch Greenberg
  • Rebecca Gibel
  • Samuel Cohen
  • Sarah Kinsey
  • Stephen Michael Spencer
  • Suzanne Grodner
  • Therese Anderberg
  • TJ Gainley

PRODUCTION TEAM:

  • Director - Michael Perlman
  • Playwright (1902-1991) - Isaac Bashevis Singer
  • Playwright – Leah Napolin
  • Scenic Designer – Robin Vest
  • Costume Designer – Jenny Mannis
  • Lighting Designer – Burke Brown
  • Composer/Sound Designer – Elisheba Ittoop
Tags What We're Seeing

Season Subscription Now Available

January 11, 2014 Fault Line Theatre

For the first time in our young history, Fault Line Theatre is offering a season subscription! For $74 you can purchase tickets to both The Faire AND Breathing Time.  That’s not only saving you $14, but also guarantees you seats to the world premiere production of Beau Willimon’s Breathing Time, well in advance of individual tickets sales.

We’re so excited to dive into our 2014 season and we hope you’ll join us for what we’re sure will be an exhilarating ride!

PURCHASE YOUR SUBSCRIPTION NOW!

Tags The Faire, Breathing Time

Best of 2013 - Aaron's Top Films of the Year

January 8, 2014 Fault Line Theatre
Photo by Ryan Stadler

Photo by Ryan Stadler

It’s Awards Season! Congratulations to Breathing Time author Beau Willimon. His show House of Cards has received 4 Golden Globe nominations, including Best TV Series, Drama!

This is such a fun time of year with so much great film and television to watch.  We’d like to help you sift through all the noise with our “Best of 2013″ series of blog posts. We’ll take you right through to the Academy Awards in March with lists and predictions by members of Fault Line Theatre.

To start things off, co-artistic director of Fault Line Theatre (and film connoisseur) Aaron Rossini has filtered down his encyclopedic knowledge of film into a list of his top 5 favorite films this year.  How many have you seen? Get in touch with us on Facebook and let us know your favorites.

  1. Inside Llewyn Davis
  2. Nebraska
  3. Upstream Color
  4. 12 Years a Slave
  5. A Hijacking

Honorable Mentions: Gravity & Hobbit: The Desolation of Smaug

Crystal Finn is the Best in Cleveland

January 6, 2014 Fault Line Theatre
Crystal Finn in Becoming Liv Ullmann (photo by Photo by Jimmy Scherer)

Crystal Finn in Becoming Liv Ullmann (photo by Photo by Jimmy Scherer)

We’re so proud of Crystal Finn, writer of Fault Line Theatre’s first show this season, The Faire: Her play Becoming Liv Ullmann was voted one of the 10 best shows in Cleveland for 2013.  In her own words:

Becoming Liv Ullmann is a comedy about love, delusion and Ingmar Bergman written and performed by Crystal Finn. It was developed at the Emerging Artists Theater New Work Series in 2012 and produced later that year at the New York International Fringe Festival. Cleveland Play House  showcased the play as a part of their New Ground Theatre Festival in May, 2013.

In related news, tickets are now on sale for our world premier production of her aforementioned, latest play, The Faire.

CLICK HERE TO BUY YOUR TICKETS!

Happy New Year

December 31, 2013 Fault Line Theatre
Photo by christmasstockimages.com

Photo by christmasstockimages.com

Happy New Year from Fault Line Theatre! 2013 has been quite the year for us and we’re thrilled for what 2014 has in store.  We hope you have a moment to reflect on the last year and, of course, celebrate the coming of the next year with your nearest and dearest.

AND REMEMBER: Today is the last day to reserve your half-off tickets for THE FAIRE! Use the promo code FLTPRE to reserve your pre-sale tickets today!

Pre-Sale for The Faire

December 28, 2013 Fault Line Theatre

HAPPY HOLIDAYS FROM FAULT LINE THEATRE!

To thank you for your continued support, please enjoy this
Secret Santa Pre-Sale Discount:

50% OFF TICKETS TO OUR FIRST SHOW OF THE SEASON

The Faire
by Crystal Finn
4th Street Theatre
February 7 - March 2, 2014

Use promo code FLTPRE before January 1, 2014 to purchase your half-priced tickets.*

Wishing you a wonderful holiday season and a happy New Year!
Craig, Aaron, Matt, John, and everyone at Fault Line Theatre
P.S. See you at the 4th Street Theatre in 2014!

*Limit four (4) tickets per person.

Tags The Faire

Merry Christmas!

December 25, 2013 Fault Line Theatre
Photo by Sandy Underwood for the Cincinnati Playhouse in the Park production of A Christmas Carol. 

Photo by Sandy Underwood for the Cincinnati Playhouse in the Park production of A Christmas Carol. 

For many of us, Christmas is a time for tradition.  Whether that means attending church, eating a big meal with the family, or watching the Charlie Brown Christmas special, many of us look forward to these traditions year round.  One of our favourite traditions here at Fault Line Theatre is the annual productions of A Christmas Carol that hundreds of regional theatres stage across the country.  Many friends of Fault Line Theatre are themselves involved with these productions each year.  Here are a few thoughts they shared with me about why they think A Christmas Carol is such a well loved and important show each year.

“I think A Christmas Carol is great for audiences because they are able to get together with their families and share this story. We have people that came as children come back with their children. It’s a lovely tradition (this is the 34th year). Being a part of the play is great for me because after 8 years this cast and crew are extended family. I get to spend my holidays with them again and again.”

- Brooke Redler (Stage Manager of The Faire & From White Plains) is currently stage managing A Christmas Carol at the Kansas City Repertory Theatre.

“One of my favorite memories growing up was the annual school field trip to see A Christmas Carol at North Shore Music Theatre in Beverly, MA.  I think that, in whatever community it’s produced, A Christmas Carol can become a powerful seasonal tradition, bringing us all together in one room, year after year, to remind us how important we all are to one other, and how goodwill leads to greater happiness for the whole.”

- Tristan Jeffers (Co-Founder of Fault Line Theatre)

“Playing Jacob Marley in A Christmas Carol was my first professional job out of graduate school. It’s a universal story of love for our fellow man that we all can relate to and was a privilege to perform 8 times a weeks… Also, I got to fly, and that was pretty awesome!”

- Matt Clevy (Communications Director of Fault Line Theatre) performed as Jacob Marley at Trinity Rep’s production of A Christmas Carol in 2010.

“A Christmas Carol is woven into the fabric of this holiday in an indispensable way. In a time of year that can be stressful and exhausting and perhaps show us the worst sides of ourselves, A Christmas Carol reminds us that any person, no matter how awful they seem, may find redemption. The story is set at Christmas but is essentially secular and not limited to a particular faith: it simply stresses that love, generosity and taking responsibility for one’s community are the characteristics that make for a better life. People come back year after year to be a part of this story. There is something wonderful about an audience that knows every line, every bit, every joke. Far from being bored by the ‘same old thing’, everyone is participant in a community tradition, a shared experience, exactly what the theatre is supposed to be.”

- Craig Wesley Divino (Co-Founder of Fault Line Theatre) has played Nephew Fred in productions of A Christmas Carol at both Trinity Rep and at Cincinnati Playhouse in the Park, where he is currently a part of their 23rd annual production.  In total, Craig has played the Role of Nephew Fred for a total of 175 shows!

MERRY CHRISTMAS FROM ALL OF US AT FAULT LINE THEATRE!

Have You Heard The News?

December 23, 2013 Fault Line Theatre

We know holidays are coming, but we’ve still been busily (and excitedly) putting the final pieces together for our 2014 season!

By now, I’m sure you’ve heard about our upcoming world premiere of Crystal Finn’s The Faire in the new year.  And I’m sure you’ve seen the IndieGoGo campaign we’re currently running to help finance this incredible show.

But Have You Heard The News?

Fault Line Theatre is proud to present, as the second show of our 2014 season, the world premiere of Breathing Time by Academy Award, Emmy Award and Golden Globe nominee Beau Willimon, writer of Farragut North, “The Ides of March” and “House of Cards.”

We can’t wait to share both of these brand new plays with everyone in the New Year!

Tags Breathing Time

IndieGoGo Update

December 18, 2013 Fault Line Theatre

Our IndieGoGo campaign for The Faire is already over 25% funded! This fundraiser is going incredibly well and we couldn’t be happier.  We’re immensely thankful for every single dollar contributed thus far.

We still have a ways to go and need your help to make The Faire possible. If you haven’t already, please take the time to head over to our IndieGoGo page and consider making a donation!

Tags The Faire

Shakespeare in Development

December 14, 2013 Fault Line Theatre
Photo by Lorz at it.wikipedia [Public domain], from Wikimedia Commons.

Photo by Lorz at it.wikipedia [Public domain], from Wikimedia Commons.

Throughout the past year David Rudi Utter (Doctor Faustus and Frogs) and I have been developing a Shakespeare project for Fault Line Theatre in which we’re attempting to create a mash-up of Love’s Labour’s Lost and Two Gentlemen of Verona. It started with an idea that co-Artistic Directors Craig Wesley Divino and Aaron Rossini had to create a Shakespeare double-feature evening involving one hour presentations of both plays. After they’d passed the project on to Rudi and me, we saw that there was an opportunity for an even more ambitious project. We noticed that both plays are dealing with themes of love, the declaration and breaking of oaths, and betrayal in very different but complementary ways.  After spending several months cutting together different versions of the plays we recently had the opportunity to work with a talented group of actors to begin to help us make sense of the project. Our most pressing question heading into this series of workshops was “How do we tell two stories simultaneously in a manner in which the audience can take in and understand?” Over the course of our three workshop sessions we spent time at the table and on our feet creating and exploring the potential verbal and physical vocabulary that we will use to tell this story. This process involved everything from having actors play objects in the space to set the scene, to quickly dawning different hats and articles of clothing when switching characters. After spending so much time working on the plays in a vacuum it was very encouraging to learn that the idea can work and that it has the potential to be an exciting and stimulating evening at the theatre. The actors in the room were immensely helpful in posing questions that hadn’t occurred to us and inventing possible solutions and offering ideas that sent us in completely new and unexplored territory. I’m very excited to see what happens with this project in the future, and although I don’t think we’ve answered our big question, our generous and intelligent actors have certainly pointed us in the right direction.

- Matt Clevy

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